Human Rooms ™ People/Space Harmonisation creating environments and immersive spaces which work in harmony with human beings to alleviate stress, anxiety and suffering

Efterpi’s CV

Efterpi graduated with a BA in Technical Production for the Performing Arts from NIDA in 1987 and has since worked as a Lighting Designer and Technical, Stage and Production Manager for some of Australia’s best known artists, arts companies and arts venues, including:  Melbourne Theatre Company, Sydney Theatre Company, The Performance Space (Sydney), Back to Back Theatre, Deckchair Theatre, Polyglot Puppet Theatre, Dance Works, Women’s Circus, Chamber Made Opera, Melbourne Workers Theatre, Playbox Theatre, Legs on the Wall, Australian Theatre for Young People, Belvoir St Theatre, Q Theatre, and Contemporary Music Events Company, Sydney Gay and Lesbian Mardi Gras, among many others.

Efterpi’s international credits include production and design for Back to Back’s recent tour to Zurich and Hamburg, as well as productions for the Hong Kong Fringe Festival, Dance Canada Festival, Toronto Dance Theatre, and the Banff Centre for the Arts Dance and Ballet Festival.

In addition, she has been actively engaged as an educator in technical production and design within the university, TAFE and independent industry sectors.  Her most recent teaching post was as the Course Coordinator in Technical Production and Lighting Design for the West Australian Academy of Performing Arts.

in 2006 Efterpi received a Community Arts Grant from Yarra City Council to create her first installation exploring multisensory immersion through cross cultural elements.  In 2007 Efterpi completed a Masters in Community Cultural Development at The Centre for Ideas, VCA as part of her career and multi practice development.

Most recently, Efterpi received an Australia Council Connections residency to continue working on her landmark project “the disambiguation room” which was funded by Arts Victoria,  and to further develop her immersive artwork in health facilities called Human RoomsTM.   Then  In 2008 received an  Ian Potter Cultural Trust Scholarship to travel to the UK to look a art programs in  12 different hospitals and visit the De Hartenburg Centre in Ede, Holland  where the first multisensory therapies were developed.

Awards include a Women in the Arts Fellowship from the NSW Ministry for the Arts (1995), four Green Room Award nominations and  (2004, 2003, 1999, 1997), and The Age Best Production Award for her Lighting Design of Back to Back Theatre Company’s production of Soft at the 2003 Melbourne International Arts Festival.  Also in 2006 and 2007 Efterpi received scholarships from the Agnes Robinson Trust and the Jim Marks foundation for recognition of her excellence and innovation in the area of using art as form of alleviating suffering in hospitals.

Efterpi has also been featured as an innovative performing arts designer in the 2001 publication of Performance Design, by Kristen Anderson and Imogen Ross, the most substantial book on performing arts design in Australia to date.

 

CURRENTLY

2008-09   Residency at McCulloch House, Monash Medical, Clayton

 

EDUCATION

1987  BA in Technical Production for the Performing Arts, NIDA , Sydney

1994  Post Graduate residency in Lighting Design, Banff Centre for the Arts, Canada

2001 Certificate IV Trainer and Assessor, WAAPA , Perth

2007  Masters of Community Cultural Development (Centre for Ideas)

VCA , Melbourne University

TEACHING EXPERIENCE

1988    Workshops for Visual Artists and Dancers, The Performance Space, Sydney

1994     Lighting Workshops PACT and ATYP Youth Theatres, Sydney

1995     Sessional Lecturer in Lighting Design, Victoria University of Technology,

1996     Lighting Workshops, Womens Circus, Swinburne TAFE, Parahan

1999    Mentor, Streets Alive, Launceston, Tasmania

2001-    Lighting Co-ordinator, Production & Design, WAAPA, Perth

2003

2004     Mentor, Ballarat Uni  3rd year Production Students

2005    Workshop Co-ordinator, Club Wild, events for people with disabilities

2006     Mentor, Lighting Design, Melbourne University Union Theatre Program

 

Lighting Designer Performing Arts

2006       The Light Fantastic, RMIT union Arts, Wearable Art Event

Working, The Musical, Melbourne Uni Arts, Creative Team (Mentor)

2005       The Daylight Atheist, dir Peter Evans, Queensland Theatre Company

The Room, dir Ben Harkin, The Storeroom, Fitzroy

2004       My Memory of Water, dir. Julian Meyrick, Melbourne Theatre Company, Melbourne

Daylight Atheist, dir. Peter Evans, Melbourne Theatre Company, Melbourne

2003       Prayer to an Iron God, dir. Glen Hayden, Deckchair Theatre, Perth

Soft, dir. Bruce Gladwin, Back to Back Theatre, Melbourne International Arts Festival

Blue/Orange, dir. Julian Meyrick, Melbourne Theatre Company,

2000        The Island, dir. Sarah Cathcart, Womens Circus, Shed 14 Docklands, Melbourne

Sunflowers, dir. Ariette Taylor, Polyglot Puppet Theatre, Victorian Arts Centre

Dog Farm, dir. Marcia Ferguson and Bruce Gladwin, La Mama, Carlton           

Emma Celebrazione, dir. Catherine McClements, Gasworks Arts Park

Audible&Happy Valley, choreo. Rebecca Hilton and Sandy Parker, North Melb Town Hall

1999       Streets Alive, Public Art Youth Festival, Launceston, Tasmania

1998            Soles of Our Feet, Womens Circus, Williamstown Docklands, Melbourne

DW 98, Danceworks, Cardigan Place, Albert Park, Melbourne

DISTANCE, Danceworks/Stompin Youth Dance, Next Wave Festival, Melbourne

HELP, MDPE Inc. The Performance Space, Sydney

FRESH GHOSTS, dir. Douglas Horton, Chamber Made Opera, Melbourne and  Sydney

1997            Pope Joan, dir Sarah Cathcart, Womens Circus, Old Melbourne Gaol, Melbourne

Mr September, dir. Ian Pidd, Back to Back Theatre, Courthouse , Geelong

HELP the remix, MDPE  inc., The Beckett, Playbox, Melbourne

Up the Ladder, dir Susie Dee, Melbourne Workers Theatre, Olympic Festival, Sydney

Victorian Regional Country Tour

Wolf Lullaby, by Hilary Bell, Performing Lines/Griffin Theatre Company , National Tour

Four Plus One , Greenmill Dance Project, Beckett Theatre, Playbox, Melbourne

Leap of Faith, Greenmill Dance Project, Danceworks, Albert Park , Melbourne

Empty Shells, Forward Theatre, Universal Theatre, Fitzroy, Melbourne

HELP, MDPE Inc. Come Out Youth Festival, Adelaide

WHETT FLESH, dir. Ned Kelly, Partyline, The  Performance Space, Sydney

Ned Kelly , dir. Julian Meyrick, Kickhouse Theatrre, Theatreworks, St Kilda

Fallow, by Catchcry, Danceworks, Albert Park, Melbourne

EMMA Celebrazione, dir. Rosalba Clemente, Playbox Theatre Co. Melbourne

1996            Competitive Tenderness, dir Aubrey Mellor, Playbox Theatre Co. Melbourne

Wolf Lullaby, Hillary Bell, Griffin Theatre Company, Sydney

EMMA Celebrazione, dir  Rosalba Clemente, Playbox  Company, Melbourne

700 Positions by Partyline, dir Gail Kelly, State Theatre, GAL Mardi Gras, Sydney

1995       Antigone, dir Carla Mason, Crossroads Theatre, Darlinghurst,  Sydney

Mad Turk dir. Patricia Cornelius, Melbourne Workers Theatre, Melbourne

Hot Young Things, Australian Theatre For Young People, Sydney Theatre Co, Sydney

Up the Ladder, dir. Susie Dee, Melbourne Workers Theatre, Napier Street, Melbourne

1994       Appearing in Pieces, Partyline, The Performance Space, Sydney

Cleopatra, Australian Peoples Theatre, Sydney Theatre Company, Sydney

Looking for Alibrandi, PACT Youth Theatre, Erskenville, Sydney

40 Lounge Café , Tess Lysiotis, Takeaway  Co, Figtree Theatre, Sydney

Medea, Chamber Made Opera, Atheneum Theatre, Melbourne

A Little Like Drowning, dir Rosalba Clemente, Belvior St Theatre Company,Sydney

Lumps, dir. Helmut Bakitis, Q Theatre, Penrith

A Winning Day, dir. Helmut Bakitis, Q Theatre , Penrith

The Newspaper of Claremont Street, by Elizabeth Jolly, Marion Street Theatre, Sydney

Sir, dir. Luke Simons, Griffin Theatre Co., Sydney

Trains Collide, Cabaret, Downstairs Belvior Street, Sydney

The Would Be Gentleman, dir. Christina Totos, Takeaway Co. Bay Street Theatre, Sydney

1992       St Rose of Lima, dir. Julian Meyrick, Kickhouse Theatre, Sydney Festival

Hurt, dir Gail Kelly, Legs on the Wall, The Performance Space, Sydney

1991       Women in Love, dir Carla Mason, Crossroads Theatre Company, Darlinghurst

I Don’t Get Paid Enough to Find Dead Bodies, dir Sue Bamford,Melbourne Workers

Theatre, Theatreworks, Melbourne

Twelfth Night & Loves Labours Lost dir Reece McConnicie, NIDA , Sydney

Matsuri by Synergy, Contemporary Music Event, The Performance Space, Sydney

Off the Wall dir Gail Kelly, Legs on the Wall,  National Tour

Three One Act Plays, dir Christina Totos, Takeaway Co. The Edge, Sydney

1990        Festival of One Act Plays, ATYP, Sydney Theatre Company, Sydney

Happy, dir Claire Heywood, Stable Theatre , Darlinghurst Sydney

Balancing Act, dir Carol Woods, Canberra Theatre Company, Canberra

Frankenstein’s Shadow, People Next Door, Playhouse Theatre, Canberra, TPS , Sydney

1989        A Midsummer Nights Dream, dir Carol Woods, Canberra Theatre Company,

Big Trouble, dir Gail Kelly, Legs on the Wall, Childer Street Theatre, Canberra

The Wolf’s Banquet, dir Geoffrey Rush, Belvior Street Theatre Company, Sydney

Jigsaws, dir Judy Farr, Q Theatre , Penrith, Sydney

1988      Near Ms’s, dir Kerry Dwyer, The Performance Space , Sydney

Crossing the Water, by Marguerite Duras, The Performance Space, Sydney

The Last Circus, Entr’acte Ensemble, The Performance Space, Sydney

Idomeneo, Mozart, Sydney University Music Department, Sydney

 

Lighting Design Overseas

 

2003       Soft, Back to Back Theatre, tour Zurich and

1995       Whats the Matter with Mary Jane, dir Wendy Harmer & Sancia Robinson Hong Kong Fringe     Festival, Hong Kong

1993        Child of Ten Thousand Years, Tipiskaki Goroh, Dance Canada Festival, Ottawa, Canada Independent Dance Festival, Toronto Dance Theatre, Toronto, Canada Medea, dir Douglas Horton, Chamber Made Opera, JFK Centre, Washington, USA

1992        Eternal Return, Lola McLaughlin Dance, East Vancouver Cultural Centre, Vancouver Canada

 

1993        Summer Residency, Dance and Ballet Festival, Banff Centre for the Arts, Banff, Canada

Whitchplay by Tobsha Learner, dir Christina Totos, Edinburgh Festival, Scotland

 

Artworks

2006 Divining, Multisensory installation, Fresh Gallery, Fitzroy (Yarra City Council

Community Arts Program)

2005       Collingwood Carpark, Environmental Festival, Installation

2004       Perth Cultural Centre, Permanent Lighting Design,

2003       Celestial City Environment, Perth International Festival, Perth

1999       Streets Alive, Public Art, Youth Festival, Launceston, Tasmania

Launceston, Tasmania

Yorktown Square, Architectural Re-light of Shopping Centre

Royal Park, Environmental Design, Launceston, Tasmania

Light Love, Public Art, Platform 2, Spencer St , Melbourne Festival Visual Art

 

Lighting Design Events

1996 Reflective  Space, Contemporary Music Events, Lonsdale St

Power Station, Melbourne

1995 Sleaze Ball, Royal Hall of Industries, GAL Mardi Gras, Sydney

1994 Music A Viva, Concert Series, Mittagong Music Festival, NSW

Mardi Gras Awards Night, GAL Mardi Gras, Metro Theatre, Sydney

Opening Event of Premises, Australian Theatre for Young People,

The Rocks, Sydney

 

Other Industry Experience

2005      Event Manager, Club Wild, Events and Workshops for people with disabilities

2004      Operations Manager, Meeting Place, Regional Arts Victoria National Conference

1999 MEMBER, Curatorial Committee, Next Wave Festival, Melbourne

1998       Lighting Consultant, Raw FM , ABC TV Melbourne

PRODUCTION MANAGER, HELP, by MDPE Inc. The Performance

Space, Sydney

DOME OPERATOR for Gig Power, Large Scale Events and  Concerts,

Melbourne Fashion Week, NIKE Sports Launch, U2 , Oasis & Underworld Concerts

1997      Stage Manager, Whets the Matter with Mary Jane , dir. Wendy Harmer, Hong Kong  Fringe

1995      Creative Development, Researching the Choreography of Light and Dance TPS , Sydney

Stage Manager, Mardi Gras Party, Showgrounds, Sydney

1992      Stage Manager, Whitchplay dir Rosalba Clemente, Tour to Edinburgh Festival

1990                 PRODUCTION MANAGER, Popular Mechanicals, Canberra Theatre Company,

Playhouse Theatre, Canberra

1989     CO-ORDINATOR , Dance Week and Women in Rock Conferences, The Performance Space, Sydney

TRAINEESHIP , Arts Administration, The Performance Space, Sydney

1988        TECHNICAL COORDINATOR, The Performance Space, Sydney

 

 

GRANTS, NOMINATIONS & AWARDS

2009        AUSTRALIA  COUNCIL, Connections grant,  to continue as artist in residence McCulloch

2007              IAN POTTER FOUNDATION, Cultural Trust, to look at art programs in the UK

2007            CANCER COUNCIL, Victoria, Travel grant, to look at art programs in the UK

2007            COMMUNITY PARTNERSHIPS, Arts Victoria, Residencies, “disambiguation

room:” McCulloch House, Monash Medical, Clayton

2007       JIM MARKS SCHOLARSHIP, Post Grad, VCA, Melbourne University

2006       ANGNES ROBERSTON TRUST, Grant,  VCA, Melbourne University

2003      GREEN ROOM NOMINATION,  Lighting Design,  BLUE/ORANGE

Melbourne Theatre Company,  Melbourne

BEST PRODUCTION  of The Melbourne Festival, The Age Critics

Award, for Soft, Back to Back Theatre, Melbourne

2001            RESEARCH Grant, WAPPA,  to develop the process of theatre online for

Soft, Back to Back Theatre.

1999       GREEN ROOM NOMINATION, for Innovative Contribution to the

Fringe ,  SOLES OF OUR FEET,  Women’s Circus, Melbourne

1997             GREEN ROOM NOMINATION,  Lighting Design,  WOLF LULLABY

Playbox Season, Melbourne

1994         AWARD Women in Arts Fellowship, from NSW Arts Ministry

GRANT, for Creative Development of Light and  Choreography,

From the Australia Council

1994                GRANT , Individual Development Grant for Travel, Australia Council

1991            GRANT, Individual Development to undertake residency at The Banff

Centre for the Arts, Canada, from the Australia Council

GRANT , Arts Traineeship at The Performance Space, from the Australia Council